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19

Jan

2010

Goodbye Tony

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Tony Quirino died yesterday.  The great majority of you don't know who that is but for me he was a constant presence.  I can't claim to have known him well but he was always there when I was growing up.  Tony owned and operated the Crandell Theater in Chatham, NY.  The Crandell is almost the centerpiece of that little town.  It began life in the 1920s as a vaudeville theater but has for most of its life served as a movie theater.

Obviously, I'm a bit of a movie fan.  Okay, I'm obsessed with film and am working hard to become a filmmaker.  The roots of that obsession are in the Crandell.  Seeing Star Wars as a six year old was a formative moment in my life.  I saw it twice in theaters in its first run, once at a drive in and once at, you guessed it, the Crandell.  Tony sold us our tickets.  And he would sell me tickets to every other movie I'd see there until last year.

It's a family operation.  His parents owned it and passed it on to him.  He sold the tickets and was the projectionist.  His wife Sandy ran the concession stand.  And it was that way the whole time I was growing up.  When I moved back to NY in 2001 I was delighted to go back to the Crandell for a movie (probably The Tailor of Panama) and discover the place was pretty much exactly the way I left it.  

Even better, in the last ten years the Crandell had become home to the FilmColumbia film festival, which I rave about here every year.  Every October I move into the Crandell for 3-4 days, emerging with a huge smile, an empty stomach (you can only eat so much popcorn) and numb ass.  It's the highlight of my year.  Last summer it hosted the premiere of Ang Lee's Taking Woodstock.  The film was shot in the area, so it was a natural choice.  And I got a chance to meet Ang Lee as a result.  It's also where I met the great animator Bill Plympton.  He signed autographs for my kids along with little pictures.

Like I said, I didn't know Tony well.  But he was always around for all those great films that were such a massive influence on me.  For E.T. I sat in the balcony, in the very back row, right next to the projection booth.  There he was.  I remember my dad assuring me that Tony would get Star Trek II: The Wrath of Khan as soon as it came out.  And he did.  And I cried like a baby when Spock died.  I remember seeing Rocky 3 and getting so wound up when Rocky fought Clubber Lang that I jumped out of my seat and yelled at the screen.  Took a long time to live that one down.  I took my first date to the Crandell.  Made it to second base for the first time there too.  No, I don't remember the movie.  I was a bit distracted.  And now I'm grown up and taking my kids to movies there.

It's been a hugely important place for me over the years.  And that makes the guy who ran it that whole time special to me.  So with a very heavy heart I say goodbye.  It was always a dream of mine to show a movie I made at the Crandell.  Maybe that will still happen.  Sadly though, Tony won't be projecting it and won't be watching it.  That would have meant the world to me.  I never had the chance to tell him how much his place meant to me.  Goodbye Tony.  And thanks.

 

 

 

13

Dec

2009

A few days ago, I finished writing a script.  It was the fourth draft for that particular script and it was a great relief to have reached that point.  And with that done, I just sort of turned off my brain.  It was weird because I really hadn't given much thought to what I would do after finishing that particular script.  Yes, I'd print it out and hand it to that small tortured group who gets all of my stuff dropped in their lap to critique.  But beyond that, only vague ideas of what to do next.

After my brain was off for a couple days I realized how odd it felt not to be constantly writing.  And let me clear that when I say constantly writing, I do not mean being chained to the computer, tapping away endlessly on the keyboard.  Typing is the easiest thing about writing and takes the least amount of time.  Most of the work goes on in my head, often while doing mindless activities.  There's a reason I've held onto an otherwise unappealing job for so long.  It allows me time to think.  A more engaging job would probably be more rewarding, both financially and mentally, but it wouldn't give me time to let my brain go on the journeys that let me write.  For the last few days, I haven't been doing that and it's a strange uncomfortable feeling.

Way back in February of this year, I was kicking around a new script idea.  It was an idea I liked a lot and it gave me an excuse to finally write in the sci-fi genre.  Despite reading almost nothing besides sci-fi, I had written pretty much anything else.  And better yet, this idea was going to force me to improve my writing because the main character would not be male and would be more or less sane, which is pretty much the polar opposite of my usual protagonist.  And I kicked this idea around my head for a few weeks before writing, which also went on for a few weeks.  And then the guilt started getting to me.  Ever since I made the decision to attempt a career as a screenwriter, I said that I would work on my craft before trying to sell a script.  The idea was to stand apart from the crowd by being highly professional and more polished than a typical starting writer.  And the concrete description of this goal was to have three finished and well developed scripts in hand before seeking an agent.

The guilt was getting to me because I had three finished scripts in hand but none of them felt like they had been fully developed yet.  Each one was probably going to need one or more rewrites before it was good enough to face the glare of the public light.  And here I was starting a fourth script.  So with regret I set aside this new project to start grinding away on the older ones.  This was the responsible thing to do.  If screenwriting is to be my job, I need to treat it accordingly.  Starting a new script is great fun, but not in keeping with my goals at that moment.  And from that point until just a few days ago, I was driving myself relentlessly to get this done.

So I'm at a point where it's time to make a decision.  Are these three scripts good enough for my goal?  I'm not sure.  A little feedback from my early readers will answer that question for me.  So far, on two of them, the answer is probably yes.  Maybe a couple minor tweaks but nothing large enough to call for an entire new draft.  My hunch is that the third script will need one more draft.  But this is just a guess.  I'm too close to it to be objective.  So feedback from others will tell me if I'm right or not.

And after that...

Obviously I'll pick up that sci-fi project again.  But more importantly, it's clear that the next step is just about here.  And that terrifies me.

I'm confident in my abilities as a writer.  So it's not like I feel I'm not up to the job.  What scares me is that the process from here on out involves a lot of rejection.  I've spent a few years in a bit of a cocoon, working on my writing far from the harshness of the world.  The odds of immediately finding an agent and immediately selling a script are pretty remote.  Sure, it could happen.  But it probably won't.  Realistically, this will take years and add considerable scar tissue to my soul.  That's fine, I'm prepared for that price.  But it won't be fun, and might actually hurt a lot.  So it's a bit hard to take that step, knowing full well what it means.

The short version (yes, I know, too late) is that I'm standing at the edge of a pool with a toe in the water, shivering and dreading the plunge.  But I always love swimming once I get past that early reluctance, so let's get it over with.

 

15

Nov

2009

Here's the latest bit of digital trickery I've been learning of late.  Probably not an effect I have a use for in any of the scripts I've written but it was fun to do.

 

15

Nov

2009

So you thought I packed it in and quit writing reviews?  Well... Maybe.  I don't know.  I still intend to write reviews of Precious and The Imaginarium of Doctor Parnassus.  Both of them deserve the attention.  Maybe I'll get around to A Serious Man.  Maybe.

Work is progressing nicely on a fourth draft of Natural Tendencies.  I've cut this sucker to the bone and finally have it coming in at a reasonable page length.  And in the process the story is getting much cleaner and easier to follow.  Now I'm working on giving it a real emotional kick.  After last month's film festival, the feeling I took away was that emotionally my work needs to be stronger.  Movies like Up In The Air and Precious convinced me to work harder on that side of things.  Hopefully when this draft is finished, the story will carry an emotional gut punch in the ending.  It's getting there.

 

29

Oct

2009

Pirate Radio

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Would it be audacious to suggest that Pirate Radio is the important movie you see this year?  Probably, but suggest I will.  Any movie that so strongly states the proper response to an abuse of authority deserves your love and attention.  This movie rocks, both figuratively and literally.
 

29

Oct

2009

Up in the Air

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What makes Jason Reitman stand out from the crowd of directors is his mastery of tone.  That has allowed him to tackle material that could have easily gone badly with a tone deaf director.  Thank You For Smoking's libertarian themes could have been mangled, turning Nick Naylor into an unfunny caricature.  Juno's unique voice and ambiguity on hot button issues could have tipped badly into message, rendering it a cheap after school special.
 

23

Oct

2009

Against the Current is an indie film written and directed by Peter Callahan.  To discuss this film properly I'm going to have to bring up some plot points that are surpises of sorts in the story.  So if you'd really rather know nothing, move on, check it out and come back.
 

23

Oct

2009

Living in Emergency is a documentary about the organization Doctors Without Borders.  They recruit doctors from all over the world to send to war torn regions or areas battered by natural disaster.  It specifically follows four doctors in Liberia and Congo.  Two are on their first six month tours and two are veterans of multiple tours.
 

19

Oct

2009

Yes, once again it's time for me to post up a quick note to assure all three regular readers (Hi Mom!) that I am not in fact dead or stunningly lazy.

I am hard at work.  But since I don't feel like writing daily articles about writing three pages of this or cutting three pages out of that, I just wait until I feel really guilty and then spurt it all out on the page at once.  Please don't visualize that. 

You didn't notice the delay but I just popped off for a moment to read the last few posts, so I could remember what I've previously said.  These posts are infrequent enough, I don't need to add the insult of repeating myself.  Primarily right now I am in the process of rewriting my original script Natural Tendencies.  This has always been a story that's biggest problem is too much stuff.  The first draft was a butt-numbing 168 pages.  The second draft was 129 pages, but I cheated and moved the margins and reduced the font size.  In truth it was more like 151 pages. 

For this draft I removed the cheats and started aggressively cutting.  Now when I completed the second draft, I really felt like I'd cut the story to the bone, which was worrisome because the damn thing was still much too long.  Ah how naive I can be.  Since that draft I've learned much about the craft of screenwriting.  It's not novel writing.  I can't take the time to describe every little detail, thought or emotion.  What I do describe needs to be something visible on screen and something that will fill out nicely when actors and designers get a hold of it.  With that thought in mind I took another run at the script and brought it down to 128 pages, with no cheating.  And best of all, I hadn't been forced to radically alter the story.

It's still too long though.  And so I'm now in the midst of another pass.  This one needs to cut things down but it also needs to alter the story trajectory a bit.  My thoughts on the themes of the story have changed a tad since I first wrote it so some changes are necessary.  That could sound like waffling but I believe these changes will make the script a lot more powerful and emotional.

Prior to that I did another quick draft of Joe Bob the Messiah.  A few ideas hit me since finishing the previous draft that I wanted to include.  Not major changes, just small additions that improved the characters and closed some plot holes.  So now that script and She Hates the Idea are in the hands of my early readers.

Last week I also wrote a script for a short film.  It's something meant both to entertain and teach me more about filmmaking.  It will run about 4-5 minutes, will hopefully be funny and should give me an opportunity to try out the special effects techniques I've been learning lately.  And if it comes out anywhere above the level of pure crap, I'll show it to you.  Don't hold your breath though.  At the end of this week is the FilmColumbia film fest so my schedule is pretty well booked for the short run.  Hopefully there will be time to shoot it next week.

Finally, if you actually want day by day descriptions of what I'm up to, check out my twitter feed.  I'll also be using that to send out quick thoughts on the movies I'll be seeing next week (no, not during the movies). I feel silly saying twitter but I enjoy the challenge of being coherent in under 140 characters.  It's not a bad skill for a screenwriter.

 

01

Oct

2009

Boom!

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I mentioned that I was learning special effects recently.  Well, here's what I've been up to the last couple of days.  Enjoy.

 

 

29

Sep

2009

Now that you've had a few weeks to absorb my last lesson plan (by which I mean, watch someone else's videos), it's time to give you a second taste of the TNMC Film School.  I'm going to stick with new media and point out the staggeringly awesome Creative Screenwriting Podcast.

 
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